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Carolyn Jones was born in Amarillo, Texas, in 1930. She spent much of her childhood housed indoors because of severe asthma that kept her from playing with other kids. That forced isolation pushed her to devour movie magazines and memorize dialogue from the stars of the day while struggling to breathe.
At 17 years old, she moved to California to study at the Pasadena Playhouse. Her grandfather paid for the classes because her father considered them a waste of time. In 1950, she signed her first contract with Paramount, but things didn't take off right away.
That nose surgery changed everything.
Jones decided to go under the knife to soften her features and improve her chances at major studio casting calls. The move worked. She started landing supporting roles in genre films like House of Wax in 1953, where she shared the screen with an up-and-coming Charles Bronson.
It happened in 1957.
That year she received an Oscar nomination for Best Supporting Actress for The Bachelor Party. She needed only eight minutes on screen to win over the Academy. She played a short-haired existentialist searching for something real on the New York night.
But industry recognition doesn't always translate into leading roles. Jones worked with directors like Alfred Hitchcock on The Man Who Knew Too Much and with Elvis Presley on King Creole during 1958. She always delivered, but her unsettling look kept her away from next-door neighbor roles.
And the gamble paid off.
She married producer Aaron Spelling in 1953, back when he was not yet the media mogul who would dominate television decades later. Spelling wrote several scripts with her in mind, but their marriage ended in 1964, the same year her career would take a decisive turn.
The Addams Family premiered on ABC in 1964. Jones accepted the role of Morticia because quality film offers had started to dry up. Producer David Levy was looking for someone who could be seductive and distant at the same time, a mix of elegance and dark humor.
To embody the matriarch of the Jones clan, she spent two hours a day in makeup and hair styling. The natural black wig cost a fortune at the time. Although the series lasted only two seasons, her image in the tight black dress stayed imprinted on the American public.
But success came at a high price. The industry typecast her so aggressively that it became nearly impossible for her to play ordinary characters again. After the series was canceled in 1966, her workload dropped sharply, and she had to rely on episodic television appearances.
She appeared in Wonder Woman and in Roots during the 1970s. She also returned to the stage, her first true passion, to take back control of her career. In 1981, she was diagnosed with colon cancer, which she tried to hide from her castmates so she could keep working.
In 1982, she joined the cast of the soap opera Capitol. She filmed her final scenes in a wheelchair because the pain kept her from standing during shoots. Doctors had given her little time left, but she signed the contract anyway.
She died on August 3, 1983, at her home in West Hollywood. She was 53 years old at the time of her death. Her family honored her final wish, and she was buried in the lace dress she wore at her fourth wedding, which took place just a year before she died.
Her death certificate recorded her time of death as 15:45.
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