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Marlon Brando arrived in New York in 1943 with little money and a suitcase full of indifference. He didn't want to be a conventional movie star. His plan was simply to inhabit characters in a way Hollywood didn't yet understand.
In 1951, the release of A Streetcar Named Desire changed the rules of acting forever. Audiences didn't see an actor reciting rehearsed lines. They saw a man sweating and shouting with a raw truth that was almost uncomfortable for purists of classical theater.
But absolute success bored him to no end.
That young man with the square jaw and murky gaze trained under Stella Adler. She taught him that acting wasn't pretending but finding your own wound so the audience could feel someone else's pain. In 1954, he won his first Academy Award for On the Waterfront.
During the 1960s, his reputation sank because of impossible productions such as Mutiny on the Bounty in 1962. He bought an atoll in French Polynesia and decided that movies were a foolish way to make a living. Studios blacklisted him because his financial demands and constant delays wrecked every budget.
He spent nearly a decade taking on projects nobody cared about. His name no longer guaranteed box office, and many people wrote him off before he turned fifty.
And the gamble paid off.
Nobody at Paramount wanted Brando to play Vito Corleone in 1972. Director Francis Ford Coppola had to fight for every inch of film to impose his vision on the studio executives. Brando showed up for the audition with cotton in his cheeks and a broken voice he invented on the spot.
That role put him back at the center of the map, but he responded by rejecting the Oscar in 1973. He sent a Native American activist to protest the industry's treatment of her people. It was a gesture that blew up his relationship with the Academy's leadership.
In 1979, he shot Apocalypse Now, arriving on set visibly overweight and without having read Joseph Conrad's original novel. He forced Coppola to shoot him in shadow to hide his bulk. Even so, his screen presence still had an electric force that no other actor of his generation could match.
His last years were a strange retreat marked by family tragedies and debts that forced him to accept minor roles for astronomical fees. In 2001, he shot his final film, The Score, alongside Robert De Niro and Edward Norton.
Marlon Brando died on July 1, 2004 in Los Angeles from respiratory failure. His estate was valued at $21.6 million after decades of out-of-control spending and personal lawsuits.
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