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At age four, Marjoe Gortner already knew how to separate a faith-sick crowd from its money. His parents trained him to become a pulpit prodigy and sent him through the churches of the American South as a carnival attraction capable of performing miracles. Before turning five, he was officiating weddings and baptisms under a sweltering tent.
It was a family business.
Because the name Marjoe was a blend of Mary and Joseph. His parents amassed a fortune of three million dollars through their choreographed sermons across the country. But when he turned twenty, he decided the charade had to end and called a film crew to record his final preaching tour. That's how the documentary Marjoe (1972) was born.
The film won the Academy Award for Best Documentary Feature in 1973 and exposed all the tricks of the religious scam. Gortner confessed on camera that he didn't believe in God and that it was all a sales technique learned through repetition. That brutal honesty closed the doors of heaven on him but immediately opened the doors of Los Angeles studios.
His arrival in the film industry was not subtle. Gortner had a strange face and an electric magnetism that worked very well in psycho or low-budget action hero roles. In 1974 he appeared in Earthquake (Terremoto), playing a National Guardsman with sadistic tendencies. He shared the screen with Charlton Heston and Ava Gardner.
Hollywood never quite figured out his magnetism.
And although his career seemed to take off, the studio system typecast him in very specific genre productions. In 1976 he starred in The Food of the Gods (El alimento de los dioses), where he battled giant rats. It was an era of handcrafted special effects and scripts that prioritized visual impact over narrative coherence. Yet he approached every role with the seriousness of a method actor.
In 1978, he joined the cast of Starcrash (Choque de galaxias) alongside a young Caroline Munro and a novice David Hasselhoff. The film earned enough to be a hit in the international market despite its obvious technical shortcomings. Gortner sported a blond afro and an energy that devoured every frame of the movie.
The 1980s brought supporting roles in television series such as Falcon Crest and films that ended up straight on video store shelves. He appeared in Mausoleum (1983) and in American Ninja 3: Blood Hunt (1989). By then, the glow of his documentary debut had faded, and the industry no longer sought his kind of on-screen intensity.
So he decided to switch sides and focus on producing live events. In the nineties, he organized Wild Bill’s Wild West Show as a charity event to raise funds for children’s hospitals. In 1995, he produced this show for the last time before stepping away from the spotlight and the red carpet for good.
His last credited appearance in a fiction production was in the film Wild Bill (1995), directed by Walter Hill. Gortner lives on a private estate in California and hasn't set foot on a film set in three decades. His personal fortune is estimated at five million dollars, derived from real estate investments and the management of his image rights.
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